The Netherlands Institute for Sound and Vision (NISV) archives Dutch broadcast TV and makes it available to researchers, professionals and the general public. One subset are the Polygoonjournaals (Public News broadcasts) that are published under open licenses as part of the OpenImages platform. NISV is also interested in exploring new ways and technologies to make interaction with the material easier and to increase exposure to their archives. In this context, Rudy explored two options.
One part of the research was the autonomous colorization of old black-and-white video footage using Neural Networks. Rudy used a pre-trained NN (Zhang et al 2016) that is able to colorize black and white images. Rudy developed a program to split videos into frames, colorize the individual frames using the NN and then ‘stitch’ them back together into colorized videos. The stunning results were very well received by NISV employees. Examples are shown below.
In the other part of his research, Rudy investigated to what extent the existing news broadcast corpus, with a voice-overs from the famous Philip Bloemendal can be used to develop a modern text-to-speech engine with his voice. To do so he have mainly focused on natural language processing and the determination to what extent the language used by Bloemendal in the 1970s is still comparable enough to contemporary Dutch.
Rudy used precompiled automatic speech recognition (ASR) results to match words to sounds and developed a slot-and-filler text-to-speech system based on this. To increase the limited vocabulary, he implemented a number of strategies, including term-expansion through the use of Open Dutch Wordnet and smart decompounding (this mostly works for Dutch, mapping ‘sinterklaasoptocht’ to ‘sinterklaas’ and ‘optocht’. The different strategies were compared to a baseline. Rudy found that a combination of the two resulted in the best performance (see figure). For more information:
[This post describes Aschwin Stacia‘s MSc. project and is based on his thesis]
There are many online and private film collections that lack structured annotations to facilitate retrieval. In his Master project work, Aschwin Stacia explored the effectiveness of a crowd-and nichesourced film tagging platform, around a subset of the Eye Open Beelden film collection.
Specifically, the project aimed at soliciting annotations appropriate for various types of media scholars who each have their own information needs. Based on previous research and interviews, a framework categorizing these needs was developed. Based on this framework a data model was developed that matches the needs for provenance and trust of user-provided metadata.
A crowdsourcing and retrieval platform (FilmTagging) was developed based on this framework and data model. The frontend of the platform allows users to self-declare knowledge levels in different aspects of film and also annotate (describe) films. They can also use the provided tags and provenance information for retrieval and extract this data from the platform.
To test the effectiveness of platform Aschwin conducted an experiment in which 37 participants used the platform to make annotations (in total, 319 such annotations were made). The figure below shows the average self-reported knowledge levels.
The annotations and the platform were then positively evaluated by media scholars as it could provide them with annotations that directly lead to film fragments that are useful for their research activities.
Nevertheless, capturing every scholar’s specific information needs is hard since the needs vary heavily depending on the research questions these scholars have.